On April 10, 1912, New York marine artist Samuel Ward Stanton was waiting to board the RMS Titanic. A prolific artist and chronicler of American steamboats, he had spent the previous months traveling in Europe, researching and preparing sketches of the Alhambra and other Spanish scenes associated with author Washington Irving. He had intended to use these in his commission to design and decorate some of the interiors of the new Hudson River Day Line steamboat named Washington Irving, the largest of the Day Line “Flyers” ever built. Stanton was likely thrilled to board the new and sensational RMS Titanic at Cherbourg with muralist Francis Davis Millet for her inaugural voyage to New York. One imagines he may have prepared a drawing or two of her majestic bow and her opulent interiors before packing them in a portfolio crammed full of European scenes. Samuel Ward Stanton was born in Newburgh in 1870 to Samuel Stanton and Margaret Fuller. Samuel Sr. was a principal of the Ward, Stanton & Company shipyard which was created out of the bankrupt Washington Iron Works at the foot of Washington St. in 1872. Before failing, the iron works had produced naval machinery, steam engines, boilers, sawmills and sugar mills. The new company continued to produce machinery but grew to emphasize iron shipbuilding. Samuel Ward Stanton grew up in and around the yard observing the scene and becoming a talent with pencil and pen. He also assembled scrapbooks detailing steamboats and their histories which became important sources for the articles and books he published as a young man. In 1884, the family moved to Florida aboard a small, iron sidewheel steamboat they built for themselves. The steamboat included the machinery for a sawmill, which was assembled upon arrival and put to immediate use in building a house and presumably selling lumber to other newcomers. The yard in Newburgh later became the famous T.S. Marvel Co. shipyard. As an adult, “Ward” Stanton, as he was known to his friends, returned to New York and developed a distinctive pen and ink style that emphasized the details of the ships and boats that he documented. He became acquainted with New York marine artist James Bard (1815-1897) who became a friend and an important source of information for those boats no longer available for direct observation. He later provided financial assistance to Bard’s daughter Ellen out of deep respect for the late pioneering steamboat painter. Stanton earned a bronze medal at the World’s Columbian Exposition in 1893 for his collection of Erie Canal drawings and in 1895 published his seminal American Steam Vessels, the first in a series of illustrated books by Stanton illustrating the history of steam navigation. He wrote and produced illustrations for periodicals including Seaboard Magazine, Marine Journal and the Nautical Gazette and his illustrations appeared in other books on steam navigation and regional history. He began producing murals and promotional art for the Hudson River Day Line, notably a series of car cards advertising the line’s “flyers.” Stanton painted a series of steamboat history scenes for the 1909 Robert Fulton and was active in the 1909 Hudson Fulton Celebration. He also prepared art for the Catskill Evening Line and the Nantasket Beach Steamboat Co. As Stanton boarded the RMS Titanic with Francis David Millet, he could never have imagined the disaster that lay ahead of him. Just four days later, on the evening of April 14, 1912, the Titanic struck an iceberg, and by the early morning of April 15, had sunk. Stanton was not among the survivors. He was just 42 years old. What happened in his last hours remains unknown, and his European work in all likelihood perished with him. One account indicates that a black coat bearing a letter inscribed “W. anton” was recovered in Canada and sent to his wife Cornelia. Sadly, the sinking of the Titanic meant that Samuel Ward Stanton never returned to New York to finish his work for the Washington Irving - it was completed in 1913 with references to Irving’s tales including the Alhambra reading room completed by other artists. Although his tragic death often overshadowed his talents, thousands of drawings and paintings produced and published before his trip to Europe remained, continuing to inspire the marine artists and students of steamboating that followed in his wake. AuthorMark Peckham is a trustee of the Hudson River Maritime Museum and a retiree from the New York State Division for Historic Preservation. If you enjoyed this post and would like to support more history blog content, please make a donation to the Hudson River Maritime Museum or become a member today!
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Editor's Note: The following text is a verbatim transcription of an article written by George W. Murdock, for the Kingston (NY) Daily Freeman newspaper in the 1930s. Murdock, a veteran marine engineer, wrote a regular column. Articles transcribed by HRMM volunteer Adam Kaplan. See more of Murdock's articles in "Steamboat Biographies". No. 252- Washington Irving The flagship of the Hudson River Dayline fleet- the “Washington Irving”- is a steamboat that is better known to the present generation, although her whistle no longer echoes among the Highlands of the Hudson; for it was 14 years ago that the pride of the Dayline met with an accident which ended her career. The steel hull of the “Washington Irving” was built by the New York Shipbuilding Company at Camden, N.J., in 1912. Her keel was 405 feet long with an overall length of 416 feet, six inches. She had a breadth of beam of 47 feet, over the guards she was 84 feet, and her hold was 23 feet, seven inches deep. The gross tonnage of the “Washington Irving” was 3,104 and net tonnage 1,664. Her engine was constructed by the W. & A. Fletcher Company Iron Works of Hoboken, N.J., and was the incline double expansion type with three cranks and three cylinders. Two of the cylinders measured 70 inches in diameter and the third measured 45 inches, with a seven foot stroke. Steam was supplied by four single and two double ended scotch boilers carrying 170 pounds of steam and generating 6,000 horsepower. The flagship of the Hudson River Dayline was launched at Camden, N.J., on Saturday, December 7, 1912- this date marking the 60th anniversary of the founding of the Dayline by Commodore Alfred Van Santvoord. Destined exclusively for service as a day-boat between New York and Albany, the “Washington Irving” was by long odds the largest and most exquisitely furnished inland passenger vessel in the world. She had a passenger carrying capacity of 6,000, and made her first trip on Saturday, May 24, 1913, under the command of Captain David H. Deming with Thomas Hall as chief engineer. Running in line with the Dayline fleet which consisted of the “Mary Powell,” “Albany,” “Robert Fulton,” “Hendrick Hudson,” and the “Alexander Hamilton,” the “Washington Irving” continued in service on the Hudson river until June 1926 when she met with an accident which closed her career. On June 1, 1926 the “Washington Irving” left her pier at the foot of Desbrosses street, New York, bound for Albany with 200 passengers aboard. A heavy fog made the visibility very poor and the whistle of the “Washington Irving” kept up a constant din as she left her berth and headed upriver. The pilots of other vessels were also experiencing difficulty in navigating due to the fog, and thus it happened that the tug “Thomas E. Moran” of the Moran Towing Company, hauling two iron oil barges, hove into sight of the “Washington Irving”- too close to avoid a collision. One of the barges struck the “Washington Irving” aft of the wheel on the port side- smashing the side in completely. Captain David H. Deming, commander of the pride of the Dayline, realized immediately the seriousness of the accident and tied down the whistle of his vessel for the purpose of summoning aid from other craft in the harbor. Passengers were ordered to the top deck to don lifebelts, and the continuous blasts of the “Washington Irving’s” whistle soon brought more than a dozen other vessels to her side. The ill-fated dayboat reached a pier on the Jersey shore where passengers were able to scramble to safety. Two lives were lost in the accident- a Mrs. Arthur Hoag and her three-year-old daughter of Long Island City. The “Washington Irving” sunk along side of the pier- coming to rest on the end of the Holland Vehicular Tunnel. On February 14, 1927 the vessel was raised and later taken to Bayonne, New Jersey where she was tied up. In September 1933 the wreck of the “Washington Irving” was sold for junk to the Northern Metal Company of Philadelphia where she was taken and broken up. AuthorGeorge W. Murdock, (b. 1853-d. 1940) was a veteran marine engineer who served on the steamboats "Utica", "Sunnyside", "City of Troy", and "Mary Powell". He also helped dismantle engines in scrapped steamboats in the winter months and later in his career worked as an engineer at the brickyards in Port Ewen. In 1883 he moved to Brooklyn, NY and operated several private yachts. He ended his career working in power houses in the outer boroughs of New York City. His mother Catherine Murdock was the keeper of the Rondout Lighthouse for 50 years. If you enjoyed this post and would like to support more history blog content, please make a donation to the Hudson River Maritime Museum or become a member today!
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